“Digital humanities” involves the use of computer-assisted tools to preserve and disseminate knowledge. These techniques extend to hyper-realistic games with complex narratives, which immerse players in alternate realities and explore ethical and social themes. This paper focuses on the impact of The Last of Us Part II on discussions about incorporating LGBTQ+ characters into existing intellectual property. The game’s reception offers insight into community perspectives on LGBTQ+ issues. The paper highlights positive impacts and argues that diversification of characters in established IP contributes to inclusivity and equality. © 2023 Elsevier B.V., All rights reserved.